This article investigates how US maker culture affirms values of self-reliance and personal responsibility through its increasing convergence with future-oriented preparation in order to construct a US maker identity differentiated from other making cultures worldwide as an ideological project of white American exceptionalism. I argue that the convergence of contemporary making with apocalyptic preparation in the US articulates making practices as vital for individual survival for apocalyptic futures as well as constructs nonwhite and non-Western geographies as simultaneously premodern and post-apocalyptic sites of ruin. US maker culture, while drawing inspiration from these geographies, suggests that such locales will be unaffected by apocalypse and, thus, cannot prepare for it. Consequently, US maker culture excludes the nonwhite inhabitants of these non-Western geographies from the idealized subjecthood rooted in the do-it-yourself (DIY) ideology and preparatory logic that maker culture endorses.
Articles by Josef Nguyen
Josef Nguyen is an assistant professor in the School of Arts, Technology, and Emerging Communication at The University of Texas at Dallas. He is working on a book project exploring contemporary debates surrounding youth, digital media, and creative labor. He is also interested in maker and DIY cultures, technologies of play, and the politics of consent. His work appears in Configurations, Cultural Politics, and Transformative Works and Cultures.