This paper investigates the possibilities of pleasure, sound, and the disruption of the iterations of identity in progressive time. How does sound reformulate how we see whiteness, heterosexuality, and female-bodied people? Beatboxing as a citational and intertextual form—phatic, rhythmic, sonorous, and lyrically side-steps some of the traps of rap music or other hip hop forms through its embodiment of sounds rather the logics of lyrics and traditional musical structure. In that way it remakes—queers—our alliances, allegiances, and sonic sensibilities.