Leah Perry presents a feminist history of Riot Grrrl and Kathleen Hanna in order to explore the hope and the limits of an individualist revolution in the 1990s. Perry takes on the performance of shamelessness, embodied in Hanna’s songs as well as through bodywriting, sex work, zine production, and other aspects of the riot grrrl movement. Ultimately Perry exposes the position of these performances: they are alternative youth culture for certain subjects which both work against and from within the structures of neoliberalism. Perry concludes that shamelessness might remain a promising space for an urgent anti-racist, feminist politics, if it can work to destabilize power and center women from oppressed groups.