Jade E. Davis embraces Lateral’s digital publishing platform in what is described as a “found media journey” informed by the theoretical works of Zora Neale Hurston’s “How I Became Colored Me” and Frantz Fanon’s Black Skin, White Masks. Davis intertwines these pieces, integrating and overlaying them with sound, static pictures, and live imagery to disrupt the act of reading and to raise questions related to “the performative role of translation” in light of the often difficult relations and circulations of blackness, gender, and language.