This essay investigates the category of the refugee as an instantiation of racial capitalism. To illustrate this conjunction, it first examines international law that defines refugees and, then, looks to specific national jurisprudence that accords different recognition to them. The national contexts discussed are the United States, given that the racial discourse there serves as a ground for the most widely known theorization of racial capitalism via Cedric Robinson’s book Black Marxism: The Making of the Black Radical Tradition, and South Africa, where racial capitalism was first coined. Robinson’s work is briefly elaborated in relation to subsequent scholarship that has engaged and extended the concept of racial capitalism, in relation to the particularities of South Africa racialization, and in relation to zama zamas (unregulated miners, often perceived as foreigners who threaten the Rainbow Nation’s stability in various ways). Given limitations of space, the essay uses the overview of juridical regimes and the excursus on Robinson to rethink the category of refugee. Zama zamas and the history of the South African mining sector as it informs understandings of race are posited as a fruitful direction for further research because these phenomena help to extend the entwinement of race and refugee and the implications of Robinson’s text for understanding refugees anew.
Articles by Sean Metzger
Sean Metzger is a professor in the UCLA School of Theater, Film, and Television. He is the author of Chinese Looks: Fashion, Performance, Race (2014) and The Chinese Atlantic: Seascapes and the Theatricality of Globalization (2020), both from Indiana University Press. The latter won awards from the American Theatre and Drama Society and the Association for Asian American Studies. The co-editor of Theatre Journal (2020–23), he has co-edited several special issues of journals—Cultural Dynamics (2009 and 2020), Third Text (2014), and Asian Diasporic Visual Cultures and the Americas (2019)—and several books, including Embodying Asian/American Sexualities (Lexington, 2009); Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures (Intellect, 2009); and Awkward Stages: Plays about Growing Up Gay (Cambria, 2015). He was the president of Performance Studies international from 2016–20.