Review of The Digitally Disposed: Racial Capitalism and the Informatics of Value by Seb Franklin (University of Minnesota Press)

The Digitally Disposed: Racial Capitalism and the Informatics of Value examines the convergence between the recursive function of value in capitalist economies and the functions of abstraction, ascription, and disposal that govern digital systems. Franklin argues that digitality’s most pernicious effects are apparent in how digital systems create the illusion of frictionlessness, connectivity, and access, while at the same time working to reinforce a logic of exclusion that externalizes the material realities of depletion. Participation in value-mediated social relations has become mandatory due to the global reach and ubiquitous extension of the informational and economic systems under which workers labor. Race and gender are social categories which position marginalized workers, especially workers from the Global South, as unreliable components in the system, the digitally disposed. Franklin argues, using the study of communication systems, that this positioning is not a flaw of the system, but is rather the intentional effect of forms of capitalist accumulation that depend on the precarity of the lives of those who generate the labor that the system depends on. A valuable contribution to the study of digitality, neoliberalism, political economy, racial capitalism, and technological history, this work shows that the social effects of digitality are not new, but rather are an intensification of the exclusions and forms of marginalization upon which capitalism depends.

Informatic Labor in the Age of Computational Capital

Still from "10 Milliseconds of Trading in Merek" by Eric Hunsader.

Jonathan Beller expands conversations about the role of the digital and the digital humanities through attention to the mechanisms by which the digital image is instrumental in neoliberal capitalist accumulation and colonialism. Beller argues that the digital image itself exploits the attentive labor of those who see it, organizes profitable patterns of spectatorship, and links communication directly to financial speculation. Through scrutiny of examples that attempt to disrupt the profitable, algorithmically-capitalized flow of data and attention through the interface of the screen, Beller’s article makes a pointed critique of the ways that fascism manifests in and might be combated via digital economies.