Review of Disability Works: Performance After Rehabilitation by Patrick McKelvey (New York University Press)

In Disability Works: Performance After Rehabilitation, Patrick McKelvey traces the “confluences and contradictions” at play in disabled performance groups’ relationships to the US government’s vocational rehabilitation programs in the mid- to late-twentieth century. Grounding theatrical performance as an embodied display of and resistance to rehabilitation, McKelvey weaves together performance studies and disability studies to complicate common narratives of disability rights history. In doing so, this book provides a basis for future work that may emerge at the nexus of performance, disability, and history.

Review of The Cultural Production of Intellectual Property Rights: Law, Labor, and the Persistence of Primitive Accumulation by Sean Johnson Andrews (Temple University Press)

Pulpolux !!! Courtesy of _MG_8415 (CC BY-NC 2.0).

Sean Johnson Andrews’ new book is a timely critique of Intellectual Property Rights (IPR) from a critical Marxist perspective. But the true goal of this work goes much deeper into tracing the history of the cultural foundations of the liberal state, private property laws, and labor relations, or what he calls the “reified culture of property.” Regarding the latter, Andrews argues that IPR are only the latest manifestation of this culture. It is an invention functioning like a bandage to hold together the privileged status and power of the capitalist property-owning elite, a power inevitably hemorrhaged by the twin processes of digitization and globalization. In fact, the very existence of IPR, he contends, exposes the fundamental flaws of neoliberal capitalism, presenting us with a unique opportunity. Starting with an examination of IPR, he works backwards to critically interrogate the ideology developed around problematic notions of value creation and the division of labor which both lie at the very heart of the culture of property.