Editors’ Introduction: Lateral Changes

by Robert F. Carley, andré m. carrington, Eero Laine, Yumi Pak, SAJ, Alyson K. Spurgas and Chris Alen Sula    |   Issue 12.1 (Spring 2023)

ABSTRACT     This issue marks the addition of a new co-editor and several special projects, including Lateral's first podcast, Positions. This issue presents two important sections of work, both building on conversations in the field and across publications: "The Black Shoals Dossier," curated by Beenash Jafri, and the second part of "Crip Pandemic Life," edited by Alyson Patsavas and Theodora Danylevich. In addition to these impressive sections, the issue features three research articles and ten book reviews.

KEYWORDS      cultural studies, podcast, publishing, scholarly communication, scholarship

As an open access, peer reviewed publication that is run entirely on volunteer labor, Lateral is necessarily driven by the energy and ideas of those who make up its community: editors, authors, reviewers, Cultural Studies Association members, and many others at the center of and on the edges of the broad field of cultural studies. This makes the journal both entirely precarious, built upon and necessitating the good will of those who labor for it, and fiercely resilient, as those who contribute often do so because they believe in the work of Lateral and see the good that comes from a coalitional publishing model. 

This issue of the journal arrives amidst the early stages of many other projects that stem from Lateral’s modes of collaborative, accessible research, and publication. We are quite excited to announce a new open access book series with Amherst University Press. The series, Emergent Ideas: Lateral Books in Cultural Studies, offers provocations to the broad field of cultural studies through short, yet theoretically compelling books. Titles in the series will endeavor to remap conceptual terrains of culture in order to better comprehend the complex relations that produce meanings, engender practices, shape emergent relations, and give rise to new social and political subjects. Edited by Robert Carley, Anne Donlon, SAJ, Eero Laine, and Chris Alen Sula, the new book series sets out to stage arguments for a future cultural studies. Like the journal, the books will be open access and freely accessible, opening readership beyond researcher backgrounds, classrooms, and institutional bounds. 

The journal itself is expanding in a number of other ways. Notably there are three new sections, all in different modalities: a special section, a new recurring section of the journal, and in several firsts for Lateral, a post-publication peer-reviewed podcast. The first episode from Positions, “For the Moment, I Am Not Scrolling,” places Adi Kuntzman and Esperanza Miyake, authors of Paradoxes of Digital Disengagement: In Search of the Opt-Out Button (University of Westminster Press, 2022) in conversation with Andrew Culp, Claudia Skinner, and the CSA’s New Media & Digital Cultures Working Group, with a scholarly commentary by Tero Karppi, “The Misunderstanding(s) of Disconnection Studies.” This work is also the first model of post-publication peer review by the journal, with the conversation transcript finalized before the review, and the two published alongside each other in this issue. Future episodes of Positions, led by Mark Nunes and Elaine Venter, will similarly rotate through topics and hosts from different Cultural Studies Association working groups, highlighting new and critical ideas, and showcasing the analytical tools of cultural studies.

An upcoming special section on “Digital Platforms and Agency” is particularly compelling to Lateral as the journal expands and develops across projects and as infrastructure itself. Section editors Elaine Venter and Reid Van Schenck ask contributors to consider the relationship between structured power and empowered practices in answering important questions about media, digital platforms, and agency. Abstracts are invited through June 30, 2023. 

A new section of the journal aims to open important dialogue through staying, revisiting, returning, lingering with those key concepts and words that structure much of the critical work of cultural studies. “Aporias” is an open and ongoing section of the journal and it invites description and debate of key concepts and contradictions in cultural studies. Envisioned as a site of disciplinary memory and a locus for review of the field, this section asks us to “stay[] with the trouble just a bit longer.” The deadline is rolling. 

These projects were developed through our new proposal process for emergent initiatives. We imagine Lateral as a place for CSA members and cultural studies scholars and practitioners to think and make and create work together and we are always interested in discussing ideas for how Lateral might support and develop the field of cultural studies.

The co-editors of Lateral are very happy to welcome Dr. Yumi Pak to the co-editing team. Yumi is an Associate Professor of Black Studies at Occidental College, whose work was previously published in Lateral. Yumi has been working with the journal as a co-editor since the beginning of 2023. Even in that short amount of time, her contributions have already benefited the journal and work published in it.

Lateral‘s existing project Years in Cultural Studies will be calling for a new section editor. A corollary and transformation to existing canonical frameworks1, presenting the opportunity to revisit as well as revise our field’s history. Each of the current publications in this section focuses on a particular year in order to excavate the buried (at times, deliberately so) innovations, demands, and debates that have shaped the field of cultural studies today. While the section currently contains entries for 1956, 1968, 1983, 1986, 1988, and 1990, other years and multiple entries for the same year are welcome, and new editor(s) are invited to propose further shape to this section according to their vision.

This issue contains two important sections of work, both building on conversations in the field and across publications. The first, “The Black Shoals Dossier,” curated by Beenash Jafri, is a conversation between Tiffany Lethabo King and Stephanie Latty, Stephanie Lumsden, Karyn Recollet, and Megan Scribe about King’s The Black Shoals: Offshore Formations of Black and Native Studies. In this exchange the authors explore and build forms of “feminist and queer care…craft[ed] with and for each other,” working against registers of academic and state capture, discipline, and blockade. The other is the third iteration of work curated and edited by Alyson Patsavas and Theodora Danylevich. The first, “Cripistemologies of Crisis: Emergent Knowledges for the Present,” was published in 2021, as COVID vaccines were slowly and unevenly rolling out across the world. It was followed by Crip Pandemic Life: A Tapestry in the fall of 2022, and it now concludes “With Grief and Joy–Crip Pandemic Life: A Tapestry, Part II.” In this section, the editors Theodora Danylevich and Alyson Patsavas continue their work of documenting crip culture, in the process understanding their section as creating transformative access to and with the archive. Yet, even as this project draws to a close, the work it represents continues, daily and in flux with the changing conditions of an ongoing and overlapping crises.

In addition to these impressive sections, the issue features three research articles that each develop important strains of thought within cultural studies and Lateral’s publication history. Nathan Burns considers key concepts and filmographies of queer cinema, especially in light of the COVID-19 pandemic in “‘It Means Possibility’: Manifestations of Isolation in New Queer Cinema.” Burns argues that isolation is both a key thematic in queer cinema since the early 1990s and holds immense potential in imagining queer futures and possibilities. Ian VanderMeulen’s article, “Hearing the Houma: Sound, Vision, and Urban Space in Moroccan Hip-Hop Videos,” builds on and expands vital conversations around hip-hop as a musical genre and political force. Centering the analysis on representations of urbanity and class in Moroccan music videos, VanderMeulen makes important connections across aural and visual aspects of hip-hop amidst ongoing discussions and arguments related to the connection between culture, power, and resistance. Finally, Philippe Néméh-Nombré complicates geography and history in “Canada’s Colonial and Genocidal Project Begins in Africa.” Néméh-Nombré offers intertwined readings of key scenes in the transatlantic slave trade and colonial violence. Considering the ways these scenes have been held separately and distinct from each other, Néméh-Nombré rather unsteadies the even and sequential histories that attempt to neatly contain the violent past.

We are grateful for the opportunity to collaborate with so many from various parts of the broad field of cultural studies. The work in this issue is driven by the work and interest of its community of scholars, activists, and artists. We hope you’ll join us for the work ahead.

Notes

  1. Raymond Williams, Keywords: A Vocabulary of Culture and Society (New York: Oxford University Press, 1976) ↩

Author Information

Robert F. Carley

Robert F. Carley is Associate Professor of International Studies at Texas A&M University, College Station.

andré m. carrington

andré carrington is a scholar of race, gender, and genre in Black and American cultural production and a co-editor of Lateral. He is currently Associate Professor of English at the University of California, Riverside. His first book, Speculative Blackness (University of Minnesota Press, 2016) interrogates the cultural politics of race in the fantastic genres through studies of science fiction, fanzines, comics, film and television. He is currently at work on a second book-length project, Audiofuturism, on radio adaptations of Black speculative texts. He is a past recipient of fellowships from the Radcliffe Institute for Advanced Study at Harvard and the National Humanities Center. With Abigail De Kosnik, he has co-edited a special issue of Transformative Works & Cultures journal on Fans of Color/Fandoms of Color. Carrington's writing appears in journals (American Literature, Souls, and Lateral), books (After Queer Studies, The Blacker the Ink, A Companion to the Harlem Renaissance, Black Gay Genius), and blogs (Black Perspectives). He is also a contributor to the Cambridge Companion to Queer American Literature, Digital Pedagogies in the Humanities, and Keywords for Comics Studies, and one of the founders of the Queers & Comics international conference.

Eero Laine

Eero Laine is an Assistant Professor at the University at Buffalo, State University of New York.

Yumi Pak

Yumi Pak is a student, scholar, and instructor of Black literary and cultural studies, particularly within the overlaps and interstices between the United States, Scotland, and Jamaica. She is currently associate professor of Black Studies and affiliated faculty in English at Occidental College. From 2014–2022, she was assistant/associate professor of English at California State University, San Bernardino, where she also held an appointment as director of Ethnic Studies, a long-standing program on campus; in 2022, she co-founded the Department of Ethnic Studies at CSUSB. Her writing can be found in various publications, including MELUS: Multi-Ethnic Literature of the United States, ASAP/Journal, Women, Gender & Families of Color and Dismantle Magazine.

SAJ

SAJ is a McNair scholar, an organizer, and an educator, and received their doctorate from the Graduate Center of the City University of New York. SAJ has published in edited collections and Theatre Journal and has taught at Brooklyn College, Hunter College, the College of Staten Island, Marymount Manhattan College, and New York University. SAJ’s research explores policing, war, white supremacy, twenty-first century capitalist economies, gender, disability, and the connections between class formation and political practice.

Alyson K. Spurgas

Alyson K. Spurgas is Associate Professor of Sociology and affiliated faculty in Women’s, Gender, & Sexuality Studies at Trinity College in Hartford, Connecticut. Alyson researches, writes, and teaches about sociologies of trauma, politics of desire, and technologies of care from an interdisciplinary and intersectional feminist perspective. They are the author of Diagnosing Desire: Biopolitics and Femininity into the Twenty-First Century (Ohio State University Press, 2020) and Decolonize Self-Care (OR Books, 2023).

Chris Alen Sula

Chris Alen Sula is Associate Provost for Academic Affairs at Pratt Institute and Associate Professor in the School of Information. His research explores the digital humanities as a field, including curricula, the early history of DH, and disciplinarity. He has also published on citation studies in the humanities, the politics of technology, and ethical uses of data and visualization.