Review of The Social Life of Financial Derivatives: Markets, Risk, and Time by Edward LiPuma (Duke University Press)

Courtesy of Environmental Molecular Sciences Laboratory, Department of Energy (CC BY NC-SA 2.0).

Edward LiPuma outlines a sociohistorical theory of the market that positions derivatives trading as initiating a new form of capitalism. The book also confronts the narratives that the financial sector tells itself about the causes and aftermath of the financial crisis, revealing the social relations that underpin the entire enterprise. LiPuma exposes the wild-seeming speculation of hedge fund managers and traders as a rationale that disappears the social aspect of its own ritual induction and relational mode of production and reproduction. An understanding of the social underpinning of financial markets, LiPuma hopes, can lead to a politics of “just optionality” where the same methods for betting on securitized commodities (assets made liquid) like housing mortgages can be transferred into wagers that further the collective good. For Marxists, LiPuma has an urgent message: existing theories of the market are incomplete without an understanding of how financial capital, led by derivatives trading, has transformed the means by which capital reproduces itself.

Decommodified Labor: Conceptualizing Work After the Wage

A way to think labor after finanancialization, decommodifed labor refers to an emptying out of the same wage relation that nonetheless continues to structure our lives. “Working hard or hardly working” needs a new conjunction: in an age of decommodifed labor, one finds oneself working hard and hardly working. I suggest that decommodified labor offers cultural critics a form for isolating labor today that takes account of its relation to the wage, that may assist in periodizing the capital-labor relation, and that also highlights financial change alongside labor’s durational necessity under capitalism.

Money as Medium, Speculation and Scrypt

Although they intervened on a culture of financialization in two very different ways, both Speculation and scrypt explore the intersection of money with the history of media, imperialism, colonialism, and computation. If capitalism is a kind of computer, a difference engine propagating vectors of exchange, these projects attempted to reprogram its operations. Apart from exploring the homology between money, language, computation, and philosophies of abstraction, Speculation and scrypt engage in collaborative practices that interrupt forms of classroom pedagogy based around the concept of the neoliberal individual (and neoliberal university). When money is pursued not for profit, but play, and when money is transformed from a medium of exchange to a medium for artistic practice, these two moneygames make invisible hands visible.