In my close reading of the drama series Homeland, I illustrate how the divisive pull between “fascination and contempt, desire and disgust” as well as the “simultaneous embracing and disavowal” that cultural critics argue define Iranian Americanness become embodied in the character Fara, a young Muslim Iranian American woman recruited into the CIA for her language and technical skills. This essay asks, among other questions: what does it mean to have anxiety over your birthplace or ancestral homeland? What does a “simultaneous embracing and disavowal” do to a person over time? I argue that as a consequence of how her body is read, Fara is continually denied access to a home and a land and ultimately becomes discarded after performing her role as an agent of the state apparatus. In addition, this essay considers how the ghost of the Iranian hostage crisis of 1979 is frequently invited to speak as an origins myth for contact between the US and Iran that subsequently shapes the lived realities of Iranian Americans nearly forty years later.