Black captivity and colonial violence in New France are distinct but interlinked social formations. This article develops an analysis of captive-colonial violence in Canada by tracing how these two formations are interlinked in practice and in discourse. It examines two “inaugural” scenes: the capture of a “Black Mooress” on the coast of present-day Mauritania in 1441 and the 1603 meeting between a French expedition and the people they called “Savages” on the shores of the St-Lawrence River in Canada. The first pertains to anti-Black violence and captivity. The second pertains to colonial violence and genocide. While the two scenes are usually treated as analytically distinct, as well as temporally and geographically distant, this article brings them together. Doing so is important as it shows how the practical and discursive conditions leading to the two scenes overlapped and how each scene depends on the other. This reading of captive-colonial violence disrupts linear conceptions of time and discrete conceptions of geography to pull “distant” scenes into proximity. Through this approach, the article shows how the two scenes are interlinked in the formation of a new lingua franca of anti-Black violence and genocidal colonial violence in Canada, however different and/or incommensurable they may be
Keyword: slavery
Review of Media and the Affective Life of Slavery by Allison Page (University of Minnesota Press)
In Media and the Affective Life of Slavery, Allison Page interrogates how media culture from the 1960s to the present has mobilized the legacy of slavery for affective governance, or “the production and management of affect and emotion to align with governing rationalities” (6). Throughout the book, Page’s analysis succeeds in providing a rich mapping of the converging interests of state actors, media producers, educational organizations, and other stakeholders as they narrate their own desire to manage emotions in the wake of the civil rights movement and to maintain white supremacist order.
The Myths of Haji Firuz: The Racist Contours of the Iranian Minstrel
Every year, around the arrival of the Spring equinox, Iranians in Iran and in diaspora will recognize a minstrel named Haji Firuz with his Nowruz jingle. The inclusion of Haji Firuz during Nowruz festivities has been questioned and challenged for decades; where some will point out his connections to anti-Blackness, others will defend Haji Firuz, arguing that his face is only covered in soot from fires also associated with the holiday. This article contextualizes these arguments as a part of a larger discourse of denying racism in Iran and, more poignantly, erasing Iran’s history of slavery altogether. This article addresses the consequences and pitfalls of defending Haji Firuz’s blackface performance, and its implications for the broader Iranian community.
What is Whiteness in North Africa?
This entry sketches a matrix for conceptualizing race in/ and North Africa that takes Arabness, indigeneity, Islam, the Sahara, and slavery as orienting keywords. It suggests an approach to a geopolitically-grounded whiteness as social currency and aspiration that is both based in specific regional economic history and also reaches outward toward globally-circulating formations of racial hierarchy. Acknowledging the distinct legal, colonial, and state histories under and through which racialization has proceeded in North and Saharan Africa since the dissolution of the Ottoman Empire, this entry aims to draw out the ethical imaginaries through which bodies have been marked and categorized in this region. These ethical imaginaries have operated through their attendant languages, memories, and performances to enable racisms and colorisms with violent and enduring material consequences. Under the headings “Racialized Enslavement,” “Whiteness and Arabness,” “Race and the Sahara,” and “Race in North African Popular Culture,” I offer brief introductions to these discursive formations, histories, and conceptual intersections and offer suggested readings for each.
Review of In the Wake: On Blackness and Being by Christina Sharpe (Duke University Press)
Christina Sharpe’s “In the Wake: On Blackness and Being” addresses issues of citizenship, racial violence, and black mortality, meshing her personal experiences surrounding death and “the wake” with a sharp critique of cultural structures, as well as a reimagining of slavery, funeral, and death metaphors. In the wake of so many “ongoing state-sanctioned legal and extralegal murders of Black people,” Sharpe’s argument that black death is a foundational aspect of American citizenship encourages readers to acknowledge the antiblackness embedded in the past, present, and future of American (and by extension, Transatlantic) democracy (7). With the continued and encouraged proliferation of black death in the global diaspora, Sharpe’s study will, hopefully, usher in more woke scholarship that questions pervasive antiblackness.