A. Naomi Paik’s Bans, Walls, Raids, Sanctuary responds to a trio of executive orders on immigration policy issued in the early days of Donald Trump’s presidency. Those orders sought to make good on campaign promises to further restrict immigration by banning citizens from Muslim-majority countries, allocating funds to expand a border wall between the US and Mexico, and ramping up home and workplace deportation raids by Immigration and Customs Enforcement (ICE). Paik delineates how these legal barriers came to be by locating them in relation to the nation’s formative immigration policies, backlash to the liberation movements of the 1960s and 1970s, and the global repercussions of neoliberalism. Highlighting the work of Indigenous activists, Paik eventually calls not only for the dramatic restructuring of the nation’s immigration system but also for the creation of a more just society based on relationships that reject the politics of inclusion and exclusion.
Keyword: wall
The Trump Wall: a Cultural Wall and a Cultural War
This essay decodes a Wall-DNA in American culture with an examination of two shaping moments in history, namely the Founding Fathers and the Mexican-American War. It argues that the Trump Wall, instead of protecting, endangers American values and opportunities; instead of uniting the nation, divides it and ignites cultural wars. The Trump Wall portends fear, bigotry, distrust, intolerance and disconnection; it is the Trump War. Therefore, this border construction is more of a mental construct than a physical one, especially when it involves a cultural re-landscaping and boundary shifting between the US and Mexico and within the two nations. The essay also challenges a one-dimensional and static view on American values, and calls for a 21st century sophistication for a culturally nuanced definition of what America means, and a 21st century agility to cross back and forth any walls without sparking a war.
#eatthatwall
#eatthatwall is an in-progress performance-installation, presented first at Rhizome DC (a DIY experimental art space in Takoma Park, Washington, DC) on April 23, 2017. The project invited gallery participants to assist in the construction and eating of an edible wall made with approximately 1,200 mini cooked rice bricks set with refried bean mortar. The wall served as an imaginary, fabulist structure to separate a currently un-bordered area between Laredo in Texas and Nuevo Laredo in Tamaulipas, Mexico, or anywhere else this hypothetical border might arbitrarily fit. The performance score following the introduction to the project is a document of the process of making: from initial concepts, to the invitation to build/mimic, to a contemplation of how we digest the events and emotions leading to the wall, and to its eventual end.