No Pestilence at the Border

Mexico–United States barrier at the border of Tijuana, Mexico and San Diego, USA. The crosses represent migrants who died in the crossing attempt. Some identified, some not. Surveillance tower in the background. © Tomas Castelazo, www.tomascastelazo.com / Wikimedia Commons / CC BY-SA 4.0

In this poem, I explore what various politicians have stated about immigrants using pest metaphors while interweaving pest control discourses. A pest is an animal that is “out of place.” Immigrants, too, are often “out of place” or “uprooted” or in between places. They live between the world in which they are from and the world in which they inhabit presently, never fully fitting into either world. As there is a multiplicity of immigrants who choose to cross the border from Mexico, there is also a multiplicity of pests who cross different kinds of borders and boundaries. Pests and immigrants are liminal beings, making some people uneasy. My intention here is not to universalize the figure of the immigrant nor the figure of the pest, but instead to explore the complications of immigration-pest discourse in US political cultures.

Review of The Cultural Politics of U.S. Immigration: Gender, Race and Media by Leah Perry (NYU Press)

Leah Perry’s The Cultural Politics of U.S. Immigration: Gender, Race, and Media is a timely exposition of how our racialized and gendered immigration paradigms came about as well as what makes them uniquely neoliberal. Perry offers a meticulous account of immigration reform in the 1980s and 90s—including how it negotiated, accommodated and ultimately co-opted the gains of feminism and multiculturalism—while also showing how its discourses were refracted in popular culture and thus within the lived experience of a hegemonic neoliberalism. Perry’s analysis that will interest scholars of media, popular culture, and immigration policy alike, and that, in the true spirit of humanistic inquiry, reveals the work of culture in the circuitry of power.

Review of Necroculture by Charles Thorpe (Palgrave Macmillan)

Charles Thorpe’s Necroculture attempts to demonstrate that the variegated experiences of alienation under the technocratic culture of neoliberal capital are experiences tantamount to a culture of death. Thorpe suggests that the root of the necrophilia that defines contemporary capitalist culture is in the valuing of non-living objects over living human beings. In the alienation and replacement of imperfect human labor with automated dead labor and in a highly atomized consumer culture where social participation is mediated by commodity fetishism, the non-living are given priority over the living.

Review of Family Values: Between Neoliberalism and the New Social Conservatism by Melinda Cooper (Zone Books)

Family Values: Between Neoliberalism and the New Social Conservatism. By Melinda Cooper. New York: Zone Books, 2017, 416 pp. (hardcover) ISBN 978 1 9354 08840. US List: $29.95. In an academic world flush with and made into silos by specialized topics, research articles, and books, Melinda Cooper’s interdisciplinary integration is a most welcome map of the…

Review of Foucault and Neoliberalism, edited by Daniel Zamora and Michael C. Behrent (Polity)

Foucault & Neoliberalism modestly argues that Foucault’s project, particularly after May 1968, bore striking similarities with neoliberalism. Although scholars have debated this issue since at least the French publication of The Birth of Biopolitics, Foucault & Neoliberalism shows that, since the English publication of the same lecture series in the inauspicious year of 2008, the American university has increasingly deracinated Foucault from his French context and thereby misread his attitude toward neoliberalism. Thus Foucault & Neoliberalism, an English translation of Zamora’s previous anthology in French, Critiquer Foucault, seeks to revive the debate—and has done so in the pages of Jacobin magazine thus far—by situating Foucault back into his proper historical milieu.

Review of Gramsci’s Common Sense: Inequality and Its Narratives by Kate Crehan (Duke University Press)

Gramsci’s Common Sense: Inequality and Its Narratives. By Kate Crehan. Durham, NC: Duke University Press, 2016, 222 pp. (paperback) ISBN 978 0 8223 6239 5. US List: $23.95. Over a decade prior to the publication of Gramsci’s Common Sense: Inequality and Its Narratives, Kate Crehan published Gramsci, Culture, and Anthropology1. This book provided a clearly…

Review of Alien Capital: Asian Racialization and the Logic of Settler Colonial Capitalism by Iyko Day (Duke University Press)

Iyko Day makes a compelling intervention in discussions of race, capital, and settler colonialism. Her book presents a theorization of the abstract economism of Asian racialization by examining how social differentiation functions as a destructive form of abstraction anchored by settler colonial ideologies of romantic anticapitalism. By engaging with capitalism’s abstraction of differentiated gendered and racialized labor in order to create value, Day’s project diverges from scholarship arguing that capitalism profits from labor via the production, rather than the abstraction, of racialized difference (Lowe 1996; Roediger 2008). Her book engages a rich multimedia archive and uses principal historical instances of Asian North American cultural production as theoretical texts to examine key racial policies since the 19th century: Chinese railroad labor in the 1880s, anti-Asian immigration restrictions; internment of Japanese civilians during World War II, and the neoliberalization of immigration policy in the late 1960s.

Review of Atari Age: The Emergence of Video Games in America by Michael Z. Newman (MIT Press)

Newman examines the early period of video games in America when arcades and game rooms emerged in suburban malls around the country, televisions became ‘entertainment centers,’ and computers and game consoles were one in the same. As an introduction to the politics and economics of early home video games, Atari Age is a good starting point for readers looking to familiarize themselves with the foundational actors and social contexts surrounding the industry in the 1970s and early 1980s.

Editors’ Introduction: Cultural Studies and Intersectionality as Intellectual Practice

As a “critical social theory,” intersectionality already lies at the roots of contemporary cultural studies, and the best work in cultural studies has the capacity for or is already engaging with intersectionality as method. This is work that accounts for the multifaceted nature of subjects, institutions, processes, and structures as it asks its questions about cultural objects, experience, ideology, history, or discourses. Intersectionality as, along with dialectical materialism, a core intellectual practice of cultural studies, offers expanded possibilities for political traction, relevance to the world and people’s lives, and transformative potential. We see models of such work throughout this issue, including with part two of a special forum on emergent analytics of critical humanities.

Minor Miracles: Toward A Theory of Novelty in Aya of Yopougon

This essay undertakes a reparative reading of Aya of Yopougon, a multivolume graphic novel by Marguerite Abouet and Clément Oubrerie. Setting Aya alongside other African comics and prevailing interpretations of African and Diasporic literatures, this interpretation coins the term “novelty” to describe the unique mode of representing subjects, space, and time in the text. This “novelty” situates Aya at the intersection of tendencies in African, European, and North American comics art, and it juxtaposes subtle renditions of everyday life with overdetermined representations of African societies and Africans in Diaspora. The essay also articulates the relevance of novelty for feminist, queer, and postcolonial theories, comics scholarship, and Diaspora Studies.

Every Little Thing He Does: Entrepreneurship and Appropriation in the Magic Mike Series

This essay analyses the theatricalized performance of stripping in the popular films Magic Mike (2013; dir. Steven Soderbergh) and its sequel, Magic Mike XXL (2015; dir. Gregory Jacobs). Following a critical dance studies approach that attends to the intersection of body and gesture with socio-political, historical, and economic structures, I suggest theatricalized sexual labour in these films reveals the racial exclusions from the ideology of entrepreneurship. Considering the appropriation of black aesthetics in Magic Mike XXL’s performances of striptease, the film seeks to evaporate the spectre of race, that is, the way the white fantasy of the entrepreneurial subject is supported by the appropriation of racialized and especially black labour.

Target Markets and Logistical Management

Amazon's fulfillment center in Fife, Scotland. Photo by Chris Watt (<a href="https://www.flickr.com/photos/scottishgovernment/6352123585"CC BY)

This paper demonstrates how target marketing provides valuable point-of-sale and point-of-interaction insights, and argues that the labor theory of value is untenable for understanding the conditions of leisure-time surveillance and data aggregation. It then provides a close reading of an Amazon affiliated fulfillment center exposé in order to examine precisely how the information produced during leisure-time surveillance intensifies the exploitation of fulfillment center labor. Target marketing is part of a larger apparatus that aggregates data for the purposes of assigning risk, differentiating prices, and managing supply chains and labor costs.

Ethics, Collaboration, and Knowledge Production: Digital Storytelling with Sexually Diverse Farmworkers in California

This article outlines the digital storytelling methods used for a community based research project focused on issues of sexuality among California farmworkers: Sexualidades Campesinas. We note how our process of collaboration in the creation and production of digital stories was shaped by the context and our envisioned storytellers. We then offer a critical analysis of our own unique experience with digital storytelling in this project, focusing on a handful of concepts key to understanding the nature of our collaborative production process: community, affect and collaboration, storytelling, performance, and mediation, with an eye to the problem of ethics.

Toward Alternative Humanities and Insurgent Collectivities

Introduction to Part II of the forum, Emergent Critical Analytics for Alternative Humanities. Here, emergent scholars respond to essays by J. Kēhaulani Kauanui, Kyla Wazana Tompkins, Julie Avril Minich, and Jodi Melamed, each of whom elaborated on the alternative possibilities of dealing with the legacies of settler colonialism, new materialisms, disability, and institutionality in Part I, published in Lateral 5.1.

Ongoing Colonial Violence in Settler States

Response to J. Kēhaulani Kauanui, “A Structure, Not an Event: Settler Colonialism and Enduring Indigeneity,” published in Lateral 5.1. Jafri articulates how a critical race feminist/queer lens makes possible thinking that sees the repetitions of racialized, gendered, sexualized colonial violence.